Héron Cendré builds a poetic world made of sounds from modular synthesizers, field recordings picked up in schools and other minimal lofi weirdness.

The album 3-4 is a perfect example of this. It's « a pure, minimal, chaotic, holy, cosmic, tender skill, somewhere between a movie soundtrack and a signal from outer-space » (Gonzaï).

His influences include Terry Riley, Philippe Glass, Hiroshi Yoshimura, François de Roubaix, Jean-Jacques Perrey and Pierre Bastien