Me In Mono has been making music under various guises for 15 years, and during that journey through sonic landscapes one thing has been a constant feature: raw energy. Coupled with a taste for the peculiar, it's no surprise that he finds himself most at home in the darker, dingier parts of the dancefloor.

An homage of sorts to the music that led him to produce in the first place, this collection of tracks explores the beauty in the weird, and the starkness in simplicity. Created for optimal energy, percussive elements and de-tuned synth's feature heavily, underpinned by subs that help to make the tracks ready to take on the most hardened dancefloor audiences.

The music itself is relentless and loopy. While the sound design is futuristic, in structure the tracks are more progressive, content to fully explore a certain space before moving on, wringing every possible nuance from each groove. The melodies for the most part aim to generate tension, in insistent sixteenth notes that detune gradually, until we reach 'Roo', where some respite is provided by a sensitive Rhodes. Closer 'Stop Harping On' goes further into melodic explorations, featuring hyperreal scalar runs that could have come from Ferraro's Far Side Virtual.